Sound Management (11-05-20)

Walsh and de la Fuente assessed how people manage their at-home acoustic experiences and the repercussions of those actions.  The researchers report that they “propose that home and homeliness [hominess] pertain to the degree to which we can control our auditory involvements with the world and with others. What we term ‘homely listening’ concerns the use of music to make oneself feel at home, in some cases, through seclusion and immersion, and, in others, through either the musical ordering of mundane routines or the use of music to engage in sociality with others. . . . in-depth qualitative interviews concerning mundane instances of musical listening [indicate that] the home is a complex sonic order involving territoriality as well as the aesthetic framing of activity through musical and non-musical sounds. We argue the home represents a negotiated sonic interaction order where individuals skillfully manage involvements with others and activities through their musical and other sound practices.”

Michael Walsh and Eduardo de la Fuente.  2020. “Sonic Havens:  Towards a Goffmanesque Account of Homely Listening.” Housing, Theory and Society, vol. 37, no. 5, pp. 615-631, https://doi.org/10.1080/14036096.2019.1686060