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Lee and Lim tie visual experiences to anticipated tastes.  They report that their “study examines the effects on viewers’ purchase intention of two visual design techniques used with food items in food advertising – repetition and alignment. . . . Three studies were conducted. . . . The findings of Study 1 and Study 2 reveal that repetition of food items enhanced viewers’ likelihood of purchasing the presented food through cross-modal responses between vision and taste. . . .  results . . . confirm . . . cross-modal correspondences between vision and taste when individuals process a food image.”

Jinha Lee and Heejin Lim.  2022. “Design Matters:  Cross-Modal Correspondences Between Vision and Taste in Food Advertising.”  Journal of Marketing Communications, vol. 28, no. 2, pp. 132-151, https:/

He and teammates link goodness and facial attractiveness;  it is possible that their findings can be applied more broadly.  The team report that “A well-documented ‘beauty is good’ stereotype is expressed in the expectation that physically attractive people have more positive characteristics. Recent evidence has also found that unattractive faces are associated with negative character inferences. . . This study tested the hypothesis that complementary ‘good is beautiful” and “bad is ugly” stereotypes bias aesthetic judgments. . . . this . . . study examined whether moral character influences perceptions of attractiveness for different ages and sexes of faces. Compared to faces paired with nonmoral vignettes, those paired with prosocial vignettes were rated significantly more attractive, confident, and friendlier. The opposite pattern characterized faces paired with antisocial vignettes. . . . Moral transgressions affected attractiveness more negatively for younger than older faces. Sex-related differences were not detected. These results suggest information about moral character affects our judgments about facial attractiveness. Better (worse) people are considered more (less) attractive.”

Dexlan He, Clifford Workman, Xianyou He, and Anjan Chatterjee.  “What Is Good Is Beautiful (And What Isn’t, Isn’t):  How Moral Character Affects Perceived Facial Attractiveness.”  Psychology of Aesthetics, Creativity, and The Arts, in press,

Asano and colleagues learned that walking in hot outdoor environments can harm subsequent cognitive performance indoors;  this finding supports creating more temperature controlled indoor walking areas in office complexes and similar locations.  The research team reports that “In the experiments [conducted], a total of 96 participants took a mathematical addition test in an air-conditioned room before and after walking in an actual outdoor environment. Results of the experiments showed that walking outdoors under heat-stressful conditions (UTCI ≧ 44 °C) for 15 min decreased the cognitive performance (percentage of correct answers to numbers of problems solved) by 3.6% compared with that before walking. An analysis focusing on the sleep duration showed a negative relationship between sleep duration and the decrease in cognitive performance. This tendency became particularly clear among the participants whose sleep duration was less than 5 h. The reduction of cognitive performance was more pronounced in male participants than in female participants. Sleep-deprived men who walk in a heat-stressful outdoor environment are more likely to exhibit poor cognitive performance when they return to an air-conditioned room.”

Yuki Asano, Yusuke Nakamura, Asuka Suzuki-Parker, Shohei Aiba, and Hiroyuki Kusaka.  2022.  “Effect of Walking in Heat-Stressful Outdoor Environments In an Urban Setting on Cognitive Performance Indoors.”  Building and Environment, vol. 213, 108893,

Duran-Barraza and colleagues evaluated how titles influence responses to artistic photography.  They report that “Conceptual information is central to the field of artistic photography. . . . we investigated whether artist's conceptual titles affected viewers’ interest in artistic photographs. Experiment 1 showed that adding artist's conceptual titles increased both the rated liking of and interest in the photographs, whereas adding a descriptive title had no effect. For Experiment 2 participants judged the pairing of photographs with artist-generated conceptual titles as more appropriate than plausible or random pairings, supporting the view that artist's conceptual titles are an essential part of the artwork. In Experiment 3, interest was assessed by asking participants to place adjustable-size frames anywhere on the photographs. Participants selected more interest areas on photographs accompanied by conceptual titles than on those unaccompanied by titles. These findings support the hypothesis that conceptual information provided by the artist's titles increases interest and liking in photographs.”

Gabriela Duran-Barraza, Deepti Ghadiyaram, and Mary Peterson.  “Effects of Conceptual Titles on the Aesthetic Appreciation of Artistic Photographs.”  Empirical Studies of the Arts, in press,

Shen and colleagues studied responses to different sorts of advertisements along with perceived beauty.  They report that “Using 68 standardized environmental advertisements as materials, this study examines potential differences between warning-based and vision-based environmental advertisements in the induced environment-related aesthetic perception and experience. The results show a significant difference between warning-based and vision-based advertisements in the experienced beauty . . .  with no difference in (global) aesthetic perception. Specifically, the vision-based advertisements have higher ‘good’ and ‘boring’ scores than the warning-based ones, whereas the warning-based advertisements score more highly in ‘interesting,’ ‘awe,’ ‘amazing,’ and ‘inspiring’ measures than their counterparts. These findings suggest that both types of environmental advertisements trigger a similar aesthetic perception.”

Wangbing Shen, Meijiao Wang, Yuan Yuan, Halping Bai, and Meifeng Hua.  2022.  “Beauty Is Not In the Eye But In the Inner Heart:  Evidence From Environmental Advertising.”  Psychology of Aesthetics, Creativity, and the Arts, vol. 16, no. 1, pp. 164-175,

Satish, Joseph, and Nanavati recap the benefits of natural light.  They report that “Exposure to daylight, in particular, plays an outsized role in our overall well-being and mental health.  Like almost all animals, humans have a circadian cycle that regulates sleep, metabolism, heart rate, and body temperature over a 24-hour cycle.  Daylight is the main environmental stimulus that syncs the body’s internal clock with the external world. . . . Studies have shown that daylight access can reduce stress, lower blood pressure, and even improve a person’s cognitive function.” 

Usha Satish, Anjali Joseph, and Kaushal Nanavati.  2022. “Illuminating Results,” Healthcare Design, vol. 22, no. 2, pp. 26-27.

Researchers have identified an increased likelihood of hoarding in people with ADHD;  this finding may indicate a greater need for storage options among people with ADHD who are not hoarding.  Morein-Zamir and colleagues report that “Whilst formerly associated with Obsessive-Compulsive Disorder (OCD), it is now recognised that individuals with HD [hoarding disorder] often have inattention symptoms reminiscent of Attention Deficit/Hyperactivity Disorder (ADHD). Here, we investigated HD in adults with ADHD. . . . Clinically significant hoarding symptoms were found in ∼20% versus 2% of ADHD and control groups. . . . Patients with ADHD had a high frequency of hoarding symptoms, which were specifically linked to inattention.”

Sharon Morein-Zamir, Michael Kasese, Samuel Chamberlain, and Estherina Trachtenberg.  2022.  “Elevated Levels of Hoarding in ADHD:  A Special Link with Inattention.”  Journal of Psychiatric Research, vol. 145, pp. 167-174,

Abrams probed the experiences of people with ADHD working during the pandemic and her findings indicate how workplace design can support people with ADHD generally.  Abrams states that “Working from home has also presented challenges for adults with ADHD, including dealing with the loss of boundaries—such as a dedicated workspace or an on-site supervisor—that help them avoid distractions and provide cues about when to stop and start tasks. . . . [mental health care] providers have used a mix of old and new strategies to help people with ADHD function well during the pandemic. . . . For adults working from home, a clear workspace that contains only work-related items helps to limit distractions, Politi [Danielle Politi, PsyD, Multi-Health Systems, Inc.] said.  She also recommends scheduling frequent breaks and using the last 15 to 30 minutes of each workday to reset:  Clear your inbox and office space and make a plan for the following day.  . . .  People with ADHD can improve their functioning by seeking out optimal work times and settings.”

Zara Abrams. 2022. “Helping Adults and Children with ADHD in a Pandemic World.”  Monitor on Psychology vol. 53, no. 2, pp. 68-74.

Liao and teammates’ work supports previous studies with color-based metaphors.  The researchers learned that “Previous studies demonstrated that colors evoke certain affective meanings. . . . Japanese participants were presented with emoticons depicting four basic emotions (Happy, Sad, Angry, Surprised) and a Neutral expression, each rendered in eight colors. . . . The affective [emotional] meaning of Angry and Sad emoticons was found to be stronger when conferred in warm and cool colors, respectively. . . . The findings provide evidence that affective congruency of the emoticon expression and the color it is rendered in facilitates recognition of the depicted emotion, augmenting the conveyed emotional message.”

Songyang Liao, Katsuaki Sakata, and Galina Paramei.  “Color Affects Recognition of Emoticon Expressions.”  I-Perception, in press,

Chuquichambi and colleagues’ work confirms that humans prefer curved lines to sharp angled ones.  The research team reports that “Lines contribute to the visual experience of drawings. People show a higher preference for curved than sharp angled lines. We studied preference for curvature using drawings of commonly-used objects drawn by design students. We also investigated the relationship of that preference with drawing preference. Experiments 1 and 2 revealed preference for the curved drawings in the laboratory and web-based contexts, respectively. Experiment 3 showed that the curved drawings were also preferred to draw than the sharp-angled ones. However, this effect only appeared when the drawings were made by hand, but not when they were made by computer. We found a moderate positive correlation between liking and drawing preference. . . . Sex, art experience and openness to experience did not influence preference for curvature. Altogether, our findings support the curvature effect and the hypothesis that people prefer to draw what they like to see.”

Erick Chuquichambi, Daniela Sarria Guido Corradi, and Enric Munar.  “Humans Prefer to See and Imagine Drawing Curved Objects.”  Empirical Studies of the Arts, in press,


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